Wesner hopes to see future festivals spread out into pop-up spaces, alternative performance spaces, theater spaces and other outdoor and indoor spaces all over Akron. “I think it is really important we don’t censor artists, but that we give them an opportunity to explore what they need to explore and hopefully get some feedback from the audience that is valuable to them.”
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“I am very open to people wanting to explore dance and performance art in the widest range,” says Wesner. “Lose Your Marbles” festival founder Robert Wesner of Neos Dance Theatre.
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In future, when Wesner plans on opening artist entry into the festival to an application process, he says future audiences might see artist-sponsored performances whose works may be more risqué or controversial. So unlike some other fringe festivals, at least this year, Lose Your Marbles will be very PG and approachable to families. For this pilot year, Wesner says the festival has been curated by him and his staff. The goal is to serve a wide-variety of audiences with varying interests says Wesner. Wesner feels this is important so that the festival has culls influence from as broad a spectrum of the dance and performance art communities as possible. ”Īnother guiding principle is programming a mixture of local, statewide and national acts. Wesner says the festival will adhere to a few guiding principles such as what he terms as “a good mix of tried and untried artists. To that end, he has been working closely with the Heinz Poll Summer Dance Festival and the City of Akron in the development of Lose Your Marbles. Wesner says while he wants to differentiate Lose Your Marbles from the region’s other summer dance offerings, he also wants the festival to be a partner with the others in bringing great art to the area. “With it being a fringe festival model we really are going to push work that lives on the fringe of what we might think of as a normal dance presentation,” says Wesner.
#Girl lose your marbles plus
Joining the venerable Heinz Poll Summer Dance Festival in Akron, plus a boatload of summer dance in nearby Cleveland, Lose Your Marbles takes a somewhat different artistic approach to the rest of the region’s offerings with more experimental and avant-garde dance artists and dance works.įounded by Neos Dance Theatre’s Robert Wesner with the support of a $100,000 Knight Foundation grant, Lose Your Marbles ─ which Wesner says takes its name from the colloquial phrase about losing one’s mental faculties and Akron’s history as a marble making behemoth in the late 1800s ─ will take its cue from other fringe festivals across the globe in allowing artists to take risks and inviting audiences into the creative process. Photo courtesy of the artist.ĭance-centric fringe festival Lose Your Marblesat the Trolley Barn in Akron this Saturday, June 10, is the latest in an impressive glut of summer dance events in Northeast Ohio that most areas of the country would be envious of. Her mother, Erma, works part time as a local parks and recreation leader, and that's where Trish's interest in shooting marbles started.Holly Handman-Lopez. Her first shot cracks two marbles past the perimeter while her shooting marble takes a bite backward even though the surface is smooth concrete. Trish takes careful aim and releases the marble with surprising velocity.
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She blows on her hand, much like a crapshooter might, and positions her shooting hand just outside the ring. Trish displayed her skills in the family basement where her father laid out a regulation ring. To continue shooting, a competitor must put a strong backspin on the shot to keep the shooting marble inside the circle or lose her turn. Thirteen marbles are laid out in an X-pattern, and the shooter must knock out seven marbles to win a game. Trish and her fellow competitors play in a ring 10 feet in diameter set on smooth concrete. Sometimes shooters bleed from the friction of the marble, but I don't have that problem anymore." I also have this callus, right here next to the knuckle. "I've been doing this for three years now, and my right hand is bigger than my left. "See," she says while holding up her right hand.